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kenzamekiri-en
      • ‎ ‎ ‎ ‎  ☆ fashion
        • ★   fashion
        • ★   styling
        • ★   fashion design
      • ‎ ‎ ‎  ☆ photography
        • ★   photography
        • ★   blue #281cd7
        • ★   virtual sabbatical
        • ★   photogram
      • ‎ ‎ ‎  ☆ draft
        • ★   it-is-odile-who-comes-to-avenge-odette
      • ‎ ‎ ‎  ☆ communication
        • ★   iconographic analysis
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    Here, you encounter,

     my feminist reinterpretation of Swan Lake.


    Discover more here as well: writing.


    Archived on Tumblr – All rights reserved [2022] © Kenza Mekiri ​


    It is Odile who comes to avenge Odette. ​

    It is to survive. ​

    Feminist reinterpretation of Swan Lake.


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    ILLUSTRATION

    Development of a graphic aesthetic that is both naive and macabre, influenced by Tim Burton.

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    ENGRAVING


    To work with black and white and suggest shadows, I began learning drypoint engraving on rhénalon plates.

    I was then surprised to find myself more interested in the rhénalon plates I had just engraved and the ink residue than in the prints I had produced.


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    ARTIFICIAL INTELLIGENCE

    To bring my Odiles and Odettes to life, I exchanged with the artificial intelligence Midjourney, infusing it with intentions:

    A tribe of dancers thirsty for vengeance.


    These are the Odiles

    who return from the depths,

    docile from their abysses,

    they come to avenge the Odettes.


    It is to survive.


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    MODELING

      

      By exploring modeling with different materials such as clay, polymer clay, and ceramics, I discover the unique characteristics of each,

    which leads me to experiment with different relationships of scale, texture, and durability.

     

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    3D MODELING


    3D modeling gives me free rein to bring a narrative space to life.

    I then consider the opportunity that the virtual world offers to create a project.

    SOUND AND VIDEO


    I work on the idea of a sound narrator by experimenting with sound, exploring various atmospheres and narrative moods.

    I work with artificial intelligence and experiment with some video explorations.







    ANIMATION


    It is the sublimation of a pure frenzy, a frenzy that scares even ultra-violence itself.

    It is the sublimation of suffering at its peak into pathological rage.

    It is because existence has only one vocation left: to live up to the rage.

    It is existence in catharsis.


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